Grateful Dead Archivist Discusses “Dick’s Picks” Series And because he had the foresight to plug a tape recorder directly into the sound board during Dead shows, the music the band made at the peak of its power has been gloriously preserved in recordings still being issued in the series titled Dick’s Picks, for which Owsley continues to receive royalties. Without his technical innovations - he was one of the first people to mix concerts live and in stereo - the band might never have emerged from the San Francisco scene. He was the Grateful Dead’s original sound man and their initial financial benefactor. But manufacturing acid is not the only accomplishment on Owsley’s résumé. In the Oxford English dictionary, the word “Owsley” is listed as a noun describing a particularly pure form of LSD. Gallery: Random Notes, Rock’s Hottest Photos Quickly regaining control, he says, “But, hey, I’m alive, right?” Without waiting for an answer, he stalks out the motel-room door. Suddenly, his eyes redden and he is nearly reduced to tears. Unable to swallow solid food since the cancer treatments, he laments that he can no longer enjoy dining out with friends. With his dark-brown goatee and a gold hoop dangling from his left ear, he looks like an older, careworn version of the Edge from U2. He puts on a pair of old bluejeans that are now several sizes too big and places a brown Thinsulate stocking cap on his head. The issue is available in the online archive. This article appeared in the July 12-27, 2007 issue of Rolling Stone. As the water boils, he packs up a Braun food mixer and the vast array of other gadgets he carries with him. Ignoring the inquiry, Owsley roots through his bags for a large state-of-the-art conical burr grinder and a white funnel-shaped device to heat water so he can make coffee from beans he grew and roasted at home in Australia. He is moving so slowly that someone from the front desk comes to the room to ask if he ever intends to leave. Three years ago, he underwent extensive radiation for throat cancer, losing thirty pounds in the process. Yet today, at seventy-two, he is all but forgotten.Īlmost forty years to the day after he blew minds at the Monterey International Pop Festival in June 1967, with a brand-new batch of “Monterey Purple,” Owsley is checking out of a motel in nearby Carmel. Long before the Summer of Love drew thousands of hippies to Haight-Ashbury, Owsley was already an authentic underground folk hero, revered throughout the counterculture for making the purest form of LSD ever to hit the street. No one did more to alter the consciousness of the generation that came of age in the 1960s than Augustus Owsley Stanley (who passed away March 13, 2011).
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